Writers often get labeled as either nonfiction or fiction writers. In grad school, it was very difficult to study across genres, which I found very frustrating: To me, the most important thing about a book has always been the voice. A novel? A memoir? Essays? Stories? Don’t pin me down, just give me something with a voice that propels me forward, that is unique and sparkling and unputdownable. When I find books with voices so singular and propulsive, I return to them over and over.
This is probably my most-read book: It’s lyrical, lush, funny, and tragic. I come back to it whenever I feel like I’m in a reading rut. It may not be for everyone.
The narrator, Saleem Sinai, born at the stroke of midnight on August 15, 1947, India’s independence day from Britain, delivers a beautiful, meandering narrative about his family and his own life, which mirrors India’s history, and the other children of midnight—all imbued with different magical powers.
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE*
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
'A wonderful, rich and humane novel... a classic' Guardian
Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most…
There is nothing like this groundbreaking memoir—it is as good as it gets—and it has probably influenced every memoir since (including my own).
Kingston is a poet, and I find it impossible not to sink into the striking, gorgeous language and imagery as she describes growing up between multiple worlds: the China her parents emigrated from, the California of a first-generation daughter of immigrants, the ghost-filled China of her mother’s “talk stories,” and her inner life and growing awareness. She weaves family stories, famous myths, and her own girlhood experiences into a beautiful and unforgettable narrative.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NATIONAL BESTSELLER • With this book, the acclaimed author created an entirely new form—an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American.
“A classic, for a reason” – Celeste Ng via Twitter
As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother’s “talk stories.” The fierce and wily women warriors of…
A dizzying, intoxicating, completely engrossing memoir by another poet, who’s most famous as the author of The English Patient. I always feel a little tipsy, in the best way, reading this one.
Ondaatje was born in Sri Lanka and sets out as an adult from Canada to discover the mysteries left behind by eccentric, long-lost family members in a land he loves. Newspaper articles, pictures, ghost stories, and poetry comprise this one-of-a-kind narration. When his brother pleads with him to get this family history right, you feel the weight of the request as heavy as a summer rain.
In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.
This book begins with only the most famous first line of a novel in English literature. (Move over, Jane Austen.)
Wistful, mysterious, and yearning, the unnamed narrator of Rebecca follows her much older husband to his luxe estate in England after a hasty marriage in France. There, she encounters a housekeeper bent on humiliating her (or worse) and the specter of her new husband’s perfect first wife, who died unexpectedly.
Even knowing what will happen, I am sucked in every time. This hits that great spot between outright horror and suspense, and my next book will be heavily influenced by this one.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
This book! Condé has based her novel’s titular narrator on a real enslaved woman who was a victim in the Salem witch trials and conjured a first-person account of her life as a free woman born in Barbados to one enslaved in a cold, foreign Massachusetts village.
“I can look for my story among those of the witches of Salem, but it isn’t there,” laments Tituba. She longs for the love of men who don’t deserve her, for the comfort of ancestors far away, for a returned sense of freedom and joy.
I am in love with this magical, tragic story and this defiant narrator full of compassion even when she’s been mistreated terribly.
This wild and entertaining novel expands on the true story of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts, arrested in 1692, and forgotten in jail until the general amnesty for witches two years later. Maryse Conde brings Tituba out of historical silence and creates for her a fictional childhood, adolescence, and old age. She turns her into what she calls "a sort of female hero, an epic heroine, like the legendary 'Nanny of the maroons,'" who, schooled in the sorcery and magical ritual of obeah, is arrested for healing members of the family that…
J. Nicole Jones is the only daughter of a prominent South Carolina family that grew rich building the hotels and seafood restaurants that draw tourists to Myrtle Beach. But at home, she is surrounded by violence and capriciousness: a grandfather who beats his wife and a barman father who dreams of being a country music star.
After a girlhood of extreme wealth and deep debt, of ghosts and folklore, of cruel men and unwanted spectacle, Jones finds herself face to face with an explosive possibility concerning her long-abused grandmother that she can neither speak nor shake. Through the lens of her own family's catastrophes and triumphs, Jones pays homage to the landscapes and legends of her childhood home, a region haunted by its history.
"an intense narrative of family and intangible inheritance. . .this novel unfolds like a fragrant, steeped tea." -Chanticleer Book Reviews, 5 Stars
"like a glorious sunrise, we are gifted the 'après,' the hope and goodness of 'after me.'" -Maria Giuseppa, author of R&R: A Feast of Words
A man in France receives a package from America containing an autobiographical manuscript relating the events of a summer long ago.
When Ellande and Madeleine-Grace visit the family summer house on the Alabaster Coast of Normandy for the first time without their parents, they find themselves growing aware of the importance of their…
A man in France receives a package from America containing an autobiographical manuscript relating the events of a summer long ago.
When Ellande and Madeleine-Grace visit the family summer house on the Alabaster Coast of Normandy for the first time without their parents, they find themselves growing aware of the importance of their parents' choices in raising them. Under the care of their beloved Aunt Adèle, they explore their heritage and what their parents stood for while determining the value of customs and traditions of both family and France's stunning Pays de Caux. In the face of cruelty, carelessness, and…
